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Spanish Association for American Studies |
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10th SAAS CONFERENCE “The Backyard of the U.S. Mansion: Critical readings of poverty and wealth in the United States” Alcalá de Henares (Madrid). April 14-16, 2011
2) ‘Heading for a Change’: Deconstructing the Upward-Mobility Ethos in American Literature and Culture Panel Chair: Mercè Cuenca From Anzia Yezierska’s “How I Found America” (1920), to Arthur Miller’s Death of a Salesman (1949), from Patricia Highsmith’s The Talented Mr. Ripley (1955), to Showtime’s TV series Weeds (2005-2009), American culture and literature problematize the upward-mobility ethos which has shaped US identity from the inception of the nation. Suggested Topics: - In what way/s have American writers and artists at large negotiated the paradox between the yearning for equality, which is at the core of the nation’s definition of “Democracy”, and the “rags to riches” ethos? - In what way/s have American writers and artists at large sought to re-define the American Dream from a non-Capitalist perspective? Have the strategies that question exclusively materialistic values varied historically? - To what extent do race, gender and/or sexuality impinge upon the (re)construction and representation of the American Dream in the nation’s arts and letters? - To what extent can the portrayal of characters who suffer physical or psychological harm at the hands of their belief in upward-mobility undermine the mainstream construction of the “American Dream”? Is this an effective strategy? - Do the cultural and literary deconstructions of the success story serve the purpose of questioning the upward-mobility ethos or, conversely, do they reinforce the distinction made in the American social imaginary between “winners” and “losers”?
10th INTERNATIONAL SAAS CONFERENCE THE BACKYARD OF THE U.S.A. MANSION: Critical Readings of Poverty and Wealth in the United States
Please, complete this form and send it, in electronic format (via e-mail), to the Chair of your selected panel. Deadline for sending proposals is October 29, 2010. |
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